Fallas grew out of neighbourhood bonfires rather than a single founding ceremony. The traditional explanation links them to carpenters burning workshop scraps and wooden lamp supports around Saint Joseph’s feast day. By the 18th century, these fires were an established custom; over time, figures and satirical scenes turned a spring clear-out into public theatre.

Competition between neighbourhoods helped transform the bonfires into ambitious works of art, and Valencia’s council began awarding prizes in 1901. That blend of craftsmanship, humour and collective effort still defines the festival. The sculptures are made to be admired, judged and finally burned at La Cremà on 19 March: their temporary life is part of the point.